Moncho Alvarado

Moncho Alvarado aka @moncholapoet is a sister in residence in air, a Cihuayollotl trans Xicanx poet, translator, visual artist, and educator. She is the author of Greyhound Americans (Saturnalia Books 2022), which was the winner of the 2020 Saturnalia Book Prize, selected by Diane Seuss. She has been published in Hayden Ferry Review, Foglifter, Poets.org, and other publications. She has fellowships and residencies from LAMBDA Literary, The Helene Wurlitzer Foundation, Troika House, and others. Alvarado is a two-time Pushcart Prize Nominee and has been featured at Brooklyn Museum, Adrian Brinkerhoff Poetry Foundation, Time Square Arts, PEN America, to name a few. Currently, she is working on a trans historical novel in verse and lives in Queens with her partner, cuddly dog, & meowling cat. monchoalvarado.com

Moncho is available for keynotes, readings, workshops, and panels. For booking availability: monchoalvarado.com/contact. Moncho is also available for poem and manuscript editing. If you would like critique and feedback, please feel free to contact Moncho there.

Moncho has earned an MFA from Sarah Lawrence College. She spends time between Queens, NY with her partner and Pacoima, CA with their family.

Description: a white corrugated background with a stream of dirt on the top. in the middle is five photos; four of family in various poses and backgrounds, the last is a lined note card with a selection of words. On the bottom of the photos is a Mexican passport.

Saturnalia Book Prize winner 2020
Greyhound Americans By Moncho Ollin Alvarado

Order here via: IPG

Here via Indiebound.org

Distributed by IPG and Saturnalia Press

Author is available for appearances and interviews

For Booking Inquiries: monchoalvarado.com/contact
Trade, library, and educational discounts available. Desk copies available for educators.

Also available here via Amazon or Barnes & Noble

Summary:

Dazzlingly queer, inclusive, celestial, with indigenous ancestral heart, Greyhound Americans, by award winning poet Moncho Alvarado, confronts a family history of borderland politics by discovering a legacy of violence, grief, trauma, and survival. Through poems that have an unmistakable spirit, tenderness, intimacy, and humility. These poems' persistent resilience creates a constellation of songs, food, flowers, family, community, and trans joy, that, by the end, wants you to feel loved, nourished, and wants you to remember to say, I'm alive, I'm alive, I'm alive.

Greyhound Americans traverses a childhood and adolescence filled with loss, love, and complex exploration of self-hood and history. Citizenry and humanity are at the heart of this collection as it summons a most powerful animal of liberation riding on the wings of ancestry. Greyhound Americans continually confronts the limits and limitlessness of a body at risk and in flight as it asserts, “a familiar beautiful, inside us sings.” This is a poetry that questions language’s potential: what it can contain or possibly free. Greyhound Americans is a stunning debut from a fearless and notable new voice.

-Tina Chang

The lucid, tender sense of Moncho Alvarado's work astonishes me into a listening and strangeness so profound that I am reoriented by it. Such work undoes the hem, speaks with spirit, makes an opening in the language for the shape of my (one's) thought to shift like cloud, vulnerable to other, to wind, to touch. With a presence of feeling, Moncho also writes straight to the bone of a history by way of what is often considered periphery (the weather, the architecture of a home, the grease). From the Border Walls poems to the section entitled Greyhound Americans, one senses a poetics of movement inherited by that which is fleeting, porous, and plural.

– aracelis girmay

Greyhound Americans begins with an invocation to the universe: “speak my name // break me open // with all that sound,” and the universe responds, unleashing a voice, both urgent and tender, in poems that enact complexity while staying true to love. We experience epistolary poems, often addressed “Dear Amá,” and portraits that shift focus from the poet/speaker to family members, foregrounding the holiness in work, in food, in disappearance, violence, grief, trauma, and the survival of family connection. Greyhound Americans is brilliantly queer, inclusive, cosmic, and compassionate: “here, how all things tend to love the same: without the weight of ideology.” These poems gleam like the stars that they reference: “splendor the stars, they give themselves / unconditionally…” When I arrived at the end of this collection I felt fed, taught, met. Even loved.

-Diane Seuss